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Entrées taggées 'Credo#2'


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6 décembre 2007
   Credo#2

Publié par Laurent Neyssensas

International Design Award 2007


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Le 6e Prix international de design (International Design Award ou IDA) 2007 a connu un réel succès. Au total, l’appel à candidatures a donné lieu à 1330 inscriptions en provenance de 38 pays.

[Lire la suite →]

Tags: Credo#2


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Warning: strtotime(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 35

Warning: date(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 43


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Warning: date(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 107

Warning: date(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 109

Warning: date(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 111

Warning: date(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 112
22 février 2007
   Credo#2

Publié par Laurent Neyssensas

Mapping the city

» Beat Streuli, Sydney, 1998 (1999), colorprint, collection Stedelijk Museum Amsterdam » 

Mapping the City ’ focuses on the relationship between artists and the city from around 1960 to the present day. The group show revolves around the way in which artists perceive urban space. The emphasis is on the city as social community, on behaviour, poses, and urban rituals. Participating artists Doug Aitken, Francis Alÿs, Stanley Brouwn, Matthew Buckingham, Philip Lorca diCorcia, Guy Debord/Asger Jorn, Ed van der Elsken, Valie Export, Lee Friedlander, Dan Graham, Frank Hesse, Douglas Huebler, William Klein, Saul Leiter, Sol LeWitt, Sarah Morris, Bill Owens, Martha Rosler, Ed Ruscha, Willem de Ridder en Wim T. Schippers, Beat Streuli, Jeff Wall

Tags: Credo#2


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Warning: date(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 109

Warning: date(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 111

Warning: date(): It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected the timezone 'UTC' for now, but please set date.timezone to select your timezone. in /Volumes/data/web-etudiants/laurentneyssensas/wp-includes/functions.php on line 112
1 février 2007
   Credo#2

Publié par Laurent Neyssensas

Plug-inn Hotel

The PLUG-INN Hotel is a project by Maria Papadimitriou for the Canary Islands Biennial. A biennial about Migratory art and of corrupted spaces. This hotel is one of the series of free hotels that Maria is doing. It is taking place at San Gabriel castle (see photo).It is dedicated to the illegal immigrants of Africa. All the furniture is made from pateras, the boats that can be found abandoned on the shores of the Canary islands. Related link here

Via Angelo Says

Tags: Credo#2


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1 février 2007
   Credo#2

Publié par Laurent Neyssensas

Art of the Possible

Raqs Media Collective: ‘Please Do Not Touch the Work of Art’ (2003-07), wall text in Lund Konsthall

What is possible in art? Is anything impossible? What are the boundaries of art practice and how can they be stretched?

Art of the Possible is inspired by the philosopher Henri Bergson’s thought that ‘it is the real which makes itself possible, and not the possible which becomes real.’ The opposite, Bergson points out, would mean that our actions are not free. The exhibition seizes this freedom: the freedom art needs to test itself and the world.

Ion Grigorescu (Romania, b 1945) is now being recognised as one of the most interesting European artists of his generation. The term self-reflection is a precise description of how he reworks and reformulates his multi-layered production of the 1970s: painting, drawing, photography, film, performance, text. Grounded is a new version of the retrospective installation of thirty-year-old photographs that he first put together for Salzburger Kunstverein in 2006. A generous selection of his films is also shown.

Miriam Bäckström (Sweden, b 1967) favours speculation as her working method. Her recent works are based on close collaborations with actors, artists and other intellectuals. The outcomes are presented in films, photographs and texts. With the initial idea of ‘creating a new artist, or at least the image of a new artist’, Miriam Bäckström has given the art student Kira Carpelan access to all her material, contacts and sources of funding. Kira Carpelan is creating Miriam Bäckström’s upcoming solo exhibition at Färgfabriken in Stockholm. Kira Carpelan, Miriam Bäckström’s own film about their one-year collaboration, is premiered here.

Raqs Media Collective (India). The members (Jeebesh Bagchi, b 1965, Monica Narula, b 1969, Shuddhabrata Sengupta, b 1968) have a background in documentary film and philosophy, and they also run the interdisciplinary research project Sarai in New Delhi. Raqs accepted the rather unusual commission to do an illustration of the ideas behind the exhibition, and have created the work investment % insurance, which discusses our attitudes towards possibilities and risks in moving images, sound and photographic posters. The text piece Please Do Not Touch the Work of Art is also shown.

Arturas Raila (Lithuania, b 1962) uses the notion of articulation to describe his uncompromising art practice. During the last ten years he has investigated different marginal groups (art professors, amateur poets, right-wing extremists, car enthusiasts) and tried to understand their thinking. He shows The Power of the Earth, a series of photographs of pre-Christian holy sites in Lithuania and people attempting to revive ancient religious systems. The work, first shown at Frankfurter Kunstverein in 2006, marks a new phase in his art; he is now focusing on the ‘perfect image’ as the sole bearer of content and meaning.

Via E FLUX

Tags: Credo#2


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